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You have entered the realm of my mind where words play with the fabric of our existence. This is the map of my imagination: the very foundations of inspiration, musing, and thought splayed for your wandering eyes. Dive deep into the tides of these forces and experience my reality, my fantasy, my world; and if you should be so inclined, share your words with this land.

Peace and Love!

J Hart F

Tuesday, April 6, 2010

'Paris', a film by Cedric Klapisch: a Very French Movie!


To start, this is a wonderful movie. Very French indeed, which I believe needs a little explanation. First, I shall give you the brief synopsis of Paris, a film by Cedric Klapisch (who is now considered a very good director in my eyes).

Paris is the story about a dancer (Pierre) who is struggling with some sort of heart disease, killing him slowly (it appears). Pierre's sudden appreciation for life, since his is being cut tragically short, is the foundation for the movie. He is able to see the Parisian outlook on life and we are then taken on sub-plots which exaggerate this point without being completely up-front and in your face about it. We are able to draw the conclusion that Pierre has seen by viewing these side stories of the people who live around him. What we see is a Paris which most might suspect already exists: the seemingly standard experience of metropolitan dwellers and their blindness to how good their life might be because of the little dramas that play out so well.

Now, what I mean by saying "Very French" is the movie itself. Like most French films, the plot is sometimes confusing until the very end when the audience is allowed to see the meaning of the work as a whole. Pierre is dieing and the movie is based between the appointment where he discovers he is dieing and the appointment where he's going into surgery (which we never see, but assume is going to happen). The sub-plots have no direct relationship to this main plot which drives the story. The only one which really has any consequence is the story of Elise, Pierre's sister. Elise visits the market once a day, and at the market interacts with the sales people therein. The audience then follows these people on their journeys, interspersed with Pierre's plight every so often. Then there's the completely out of the blue interaction with a Professor who has no relation to Pierre other than the fact that he's having sex with a 'neighbor' of Pierre's. Add on top of this the sub-plot of a North African man who is attempting to illegally enter France and make his way to Paris. Lots of sub-plots which help put into perspective the message of Pierre's sudden realization about life in Paris. Another aspect of this movie being "Very French" is that the ending is left open to interpretation; much like how our world never ends, Paris concludes with the next action in life taking its course. We don't know the outcome of Pierre's surgery; but that's not the point.

Overall, this is a beautifully done movie. It's comedy is tangible in the drama for which it is set. The emotions are easily related to our lives even through the translations in the subtitles. Paris presents many social issues striking France during this world wide economic downturn and almost portrays a deeper understanding of the 'single life' in Paris. It's not a glamorous portrayal of the city of romance and love. It is, however, a realistic view stripped of fantasy. It is a wonderful movie.

If you don't have any issues reading while you're watching a movie, go rent Paris. It is a wonderful story about appreciating the life you're able to live!

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